Colors: Blue Color

 

The Commonwealth Blue Charter, the Commonwealth’s flagship programme on ocean cooperation, has been invited to join a leading line-up of official nominators for the prestigious Earthshot Prize. 

 

The Earthshot Prize is an ambitious global environment prize launched by His Royal Highness The Duke of Cambridge, that seeks to stimulate innovative solutions to the world’s most urgent environmental problems while improving living standards, particularly for communities most vulnerable to climate change.  Nominations are open for five awards worth £1 million each, highlighting impactful contributions to the following five goals or “Earthshots”: Protect and Restore Nature; Clean our Air; Revive our Oceans; Build a Waste-Free World and Fix our Climate. As one of the Earthshot Prize’s Global Alliance of Partners, the Commonwealth Blue Charter team will bring its expertise and a global reach to the search for candidates in at least one of those areas. Nominees could be individuals, teams or organisations, from a wide range of sectors including public, private and grassroots.

Wolverhampton Literature Festival will return for its fifth year in February 2021 – and the dates have been announced.

 

Hosted by City of Wolverhampton Council, the festival aims to amplify the voice of authors, poets, writers, storytellers, puppeteers, podcasters, vloggers and publishers across the UK, as well as celebrate creative communities in the Black Country.

 

The three-day festival will be taking place from Friday, February 12 to Sunday 14, with the line-up to be confirmed later this year.

 

People are also being encouraged to get involved with the pre-festival engagement activities, which will be shared across social media on Facebook (search Wolverhampton Literature Festival) and Twitter (@WolvesLitFest) in the lead up to the festival.

 

The 2021 festival focuses on three major themes:

 

  • Music: Celebrating the city’s connection to music.
  • Current Affairs: Looking into the hot topics of today.
  • Community Voices: Celebrating the voices and talent of our local community in the West Midlands.  

 

This year, in celebration of the Literature Festival sitting across Valentine’s weekend, there will also be themed events celebrating love in all its different forms.

 

City of Wolverhampton Council Cabinet Member for City Economy, Councillor Stephen Simkins, said: “It is fantastic that the festival is returning for its fifth year and that we can showcase extraordinary talent from across the region. 

“There will be a mixture of events and I encourage everyone of all ages and backgrounds to get involved.”

 

In accordance with government regulations, the festival will be delivered through a mixture of virtual and physical events that will be confirmed in due course.

 

 

 

Sandwell Council has lined up an exciting free programme of Halloween events this half-term for all the family with virtual events aimed at children of all ages.

 

These events, aimed at young people aged 11-19, will be hosted on the Just Youth Sandwell Facebook page throughout half-term: 

 

Online activities include competitions, spooky stories, a nightmare walk with Malthouse Stables, upcycle your own costume and a dance video competition for staff and young people.

 

For younger children aged five to 12, Go Play Sandwell is hosting virtual Halloween parties through Zoom and will be bringing spooky fun to the homes of those who join in. Children can dress up and get involved in fun games at these virtual sessions.

 

Parties take place with six sessions each day until Saturday October 31 and can be accessed through the Go Play website: www.goplaysandwell.co.uk.

 

Councillor Joyce Underhill, cabinet member for best start in life, said: "We wanted to offer some extra sessions this Halloween for children and young people to enjoy from home.

 

"There is fun for all the family to get involved in and we hope young people will log on to get involved with our half-term Halloween events."

 

 

 

Two employees from Enoch Evans LLP have decided to swap life at the West Midlands law firm for the clouds to take part in a charity skydive to raise money for Acorns Children's Hospice

 

Trainee solicitor Jessica Hubble, who jumped on Saturday 19 September, alongside HR manager Melissa Greatrix, who will take to the sky on Saturday 28 November, smashed their initial target by raising over £1,100 for the law firm’s chosen charity of the year. 

 

Jessica said: “I did a skydive when I was 21 and didn't think I'd ever do it again - but when the opportunity arose, I was so motivated to help a good cause that I agreed straight away.  A colleague circulated an email about the events taking place to raise money for Acorns this year, and the skydive seemed like the most adventurous and dramatic way to raise money. I thought the more drastic the challenge, the more money we would be able to raise.

 

“I did odd jobs for people to raise more money while Melissa added £200 to the total by holding a car boot sale.

 

“I am delighted that Melissa and I have been able to raise such a large amount for such a worthy cause and we would like to thank our families, friends and colleagues at Enoch Evans LLP for all their support and donations.” 

 

Acorns Children’s Hospice provides specialist palliative care for children and young people with life-limiting and life-threatening conditions.

 

The charity has been at the forefront in the battle against coronavirus, providing children’s hospice care and support to the most vulnerable families caught up in the pandemic.It costs Acorns, which cares for families across the West Midlands, almost £11 million every year to continue – the bulk of which comes from donations and fundraising.

 

Zoe Baggot, senior manager for community fundraising at Acorns, said: “We’re extremely grateful to daredevils Melissa and Jessica for their bravery in completing their skydives and raising a fabulous £1,000 towards our work.

 

“The money they have raised by leaping into action for Acorns will go directly to the local children and families who rely on our care and support.”

 

Enoch Evans LLP has its head office in Walsall in addition to a branch in Sutton Coldfield.

 

The 136-year old firm has grown to over 90 staff and is listed in the Legal 500 which ranks the world’s best practices. 

 

 

 

 

Tickets are now on sale for Wolverhampton’s first-ever Creation Day festival. - two days of incredible live music from legendary UK bands who are set to rock West Park as part of the new festival next summer. 

Happy Mondays, Editors, Ash, Echo & the Bunnymen, Black Grape and Sleeper are just some of the amazing acts set to take to the stage in West Park over the weekend of May 29 and 30 2021. 

 

Creation Day festival forms part of City of Wolverhampton Council’s ongoing commitment to re-light the city, help boost the local economy and offer high-profile events to attract visitors. 

The two-day event is organised by the council in partnership with Toura Toura Festivals and Alan McGee, founder of the iconic Creation Records label - formed in 1983, becoming one of the key labels in 80s and 90s indie music. Over the years, he has worked with such major acts as Primal Scream, The Jesus and Mary Chain and Oasis. 

Next year’s festival will see stars from Creation Records join forces with other well-known bands to perform their biggest hits from 12.30pm to 10.45pm. 

Bands playing on Saturday are Happy Mondays, Echo & the Bunnymen, Cast, Black Grape and Echobelly as well as new artists Shambolics, The Clockworks and The Illicits. The line-up includes a Creation Day exclusive as it will be the first time that frontman Shaun Ryder has performed with his two bands, Happy Mondays and Black Grape, at one festival. Acts lined up for Sunday are Editors, Friendly Fires, Ash, Sleeper, Glasvegas, The Wedding Present as well as up and coming performers Heavy Lungs, Cat SFX and Marquis Drive. 

Editors met when they were studying Music Technology at Staffordshire University and gigged around the Midlands before receiving Mercury Prize and Brit Awards nominations. 

Other attractions at the two-day event include a fairground and a wide variety of food and drink stalls. Support for festival goers with access requirements will be available. 

City of Wolverhampton Council Leader, Councillor Ian Brookfield said: “Creation Day is a really exciting event for our city and I’d like to invite all our local music fans to get their tickets. 

“Thanks to our partnership with Alan and his many years of experience in the music business, we’ve been able to offer a great mix between old favourites and some up and coming acts.” 

Creation Day will be fully risk assessed to reflect the latest safety requirements at the time of the festival. Due to the ongoing coronavirus situation, details may be subject to change. 

 

Recently discovered Great War memorial plaque of the first Black officer to be killed in World War One to be sold at Dix Noonan Webb

 

A recently-discovered Great War Memorial Plaque that rewrites Black History in World War One will be offered by Dix Noonan Webb in their live/ online auction of Orders, Decorations, Medals and Militaria on Thursday, November 12, 2020 on their website www.dnw.co.uk. The plaque of Lieutenant Euan Lucie-Smith, 1st Battalion, Royal Warwickshire Regiment, who is believed to have been the first Black officer commissioned into a British army regiment during the Great War and is also believed to have been the first Black officer casualty of the Great War, when he was killed in action on April 25, 1915, at the Second Battle of Ypres is estimated at £600-£800.

 

Discovered by former Member of the European Parliament, James Carver, who is a keen collector of medals relating to West African soldiers of the Victorian

and Edwardian era. He spotted it for sale on the open market, bought it on a hunch, and since researched Lieutenant Lucie-Smith’s military career and family background.

 

He said: “With this month being Black History Month, the timing of this discovery seems all the more poignant. Until now, the best-known Black soldier of World War One has been Walter Tull, however I now believe Lucie-Smith to be the first Black officer.

 

His background was quite different to Tull’s – coming from a privileged Jamaican family, he was undoubtedly from the so-called “Officer Class”, having attended two English Private Schools.”

 

As Christopher Mellor-Hill, Head of Client Liaison (Associate Director) of Dix, Noonan, Webb commented: “We are delighted to be offering this Memorial Plaque and celebrating the career of Euan Lucie-Smith. Much has been written about Walter Tull, who was till now erroneously assumed to have been, (and regularly referred to), as the first Black officer commissioned into a British army regiment during the Great War, (on May 30, 1917) and the first Black officer casualty of the Great War, when he was killed in action during the First Battle of Bapaume on March 8, 1918.”

 

“Another well-known Black Officer was Allan Noel Minns, who was commissioned as a Lieutenant in September 1914, days after Euan Lucie-Smith – he was fortunate and survived the War. But now we have Euan Lucie-Smith, who was not only the first Black officer commissioned into the British army, but was also the first Black officer killed in action some three years before Walter Tull was.”

 

Like Walter Tull, Euan Lucie-Smith hailed from a mixed heritage background. He was born at Crossroads, St. Andrew, Jamaica, on December 14, 1889 to John Barkley Lucie-Smith, (the Postmaster of Jamaica), and Catherine “Katie” Lucie-Smith (nee Peynado Burke). His father hailed from a line of distinguished white colonial civil servants.

 

His mother was a daughter of the distinguished ‘coloured’ lawyer and politician Samuel Constantine Burke, who campaigned for Jamaican constitutional reform in the late 19th century through his desire for Jamaica to have greater control over her own affairs than Whitehall.

 

His advocacy on behalf of both the Black and “coloured” populations of Jamaica, helped create a reputation that even led him to later be referred to, by name, in an essay of the renowned Black activist, Marcus Garvey. Euan Lucie-Smith was educated in England, initially at Berkhamsted School, before Eastbourne College, (His address during his Great War service is noted as Berkhamsted School).

 

Returning to Jamaica, he was commissioned into the Jamaica Artillery Militia on November 10, 1911. He appears as a Lieutenant in a later, pre-war, Forces of the Overseas and Dominions list. Just six weeks after the outbreak of war, he was commissioned as a Second Lieutenant into the regular force of the Royal Warwickshire Regiment, appearing in the supplement to the London Gazette of November 30, 1914: “Dated September 17, 1914, The undermentioned candidates from the self-governing Dominions and Crown Colonies to be Second Lieutenants. – Euan Lucie-Smith, Royal Warwickshire Regiment....”.

 

Believed to have been the only name on this list from the Caribbean, or East and West Africa, he appears as the first of fourteen names, giving him seniority above the other men also commissioned from Australia, Canada, India, South Africa and New Zealand. (Confirmation that he was commissioned two years and eight months before Walter Tull).

 

He landed in France on March 17, 1915, and, just over a month later, although initially reported as missing, he was later confirmed as being killed in action on April 25 1915, aged 25, during the Second Battle of Ypres. (Becoming a casualty two years and eleven months before Walter Tull). A statement made by a Pte. F. Jukes, at Suffolk Hall Hospital, Cheltenham, stated “Lieut. Lucie-Smith - Was told by his servant that he was killed, and had seen him dead. Shot through the head”. He has no known grave and is commemorated on Panel 2 to 3 of the Ploegsteert Memorial, Belgium. He is also commemorated on the Berkhamsted School Memorial, the Eastbourne College Memorial and has an entry in “Jamaica in the Great War”.

 

Due to the current COVID 19 situation, this auction will be online only and there will be no room bidding available. Customers are able to bid live online (DNW make no additional charge for this service) or leave commission bids prior to the auction. Lots may be viewed prior to the sale by appointment only.

 

 

 

Known as one of America’s greatest civil rights activists, the legendary Malcolm X is remembered, in the Midlands, for bringing his fight against racism to Smethwick.

 

The civil rights campaigner visited on 12 February 1965 because at the time Smethwick was considered a hotbed of racial tension.

 

And, more than half a century on the man who became so incensed with racism in his own country is still celebrated for his visit to the Black Country town after hearing of plans to stop Black and Asian residents buying houses.

 

The late Tory MP, Peter Griffiths, won his seat there a year before the much heralded visit with the campaign slogan: ‘If you want a n***** for a neighbour, vote Labour’.

 

Locals successfully petitioned the council to buy up empty homes in a street and ban non-white families from moving in.

 

Smethwick proved an eye-opener for Malcolm X.

 

As Malcolm X walked down Marshall Street, on February 12 in 1965, he was jeered by white residents who told him they didn’t want ‘any more Blacks living there.

 

He was ejected from the smoking room in a local pub down because he was Black.

 

Nine days after his trip to Smethwick, Malcolm X was assassinated in a New York ballroom - aged just 39.

It has been announced that the Birmingham Hippodrome is among the latest recipients of emergency government arts funding and will be receiving almost £3m from the £1.57bn Culture Recovery Fund. Town Hall Symphony Hall in the city has been awarded £2.53 million. The City of Birmingham Symphony Orchestra (CBSO) is to return to Symphony Hall Birmingham, as its doors open for the first time in over seven months to enable live concerts for socially-distanced audiences. 

 

The announcement follows the decision by Arts Council England to also award Town Hall Symphony Hall £2.53 million from the Fund which is designed to help the sector until March 2021 – while the CBSO received £843,000 earlier this month. 

 

Birmingham Repertory Theatre has also been awarded a grant, of £1.38 million, with its Artistic Director, Sean Foley and Executive Director, Rachael Thomas saying; “COVID-19 continues to have a devastating effect on our communities, city, and industry. We are hugely grateful to The Department for Culture, Media and Sport for the grant announced today for Birmingham Repertory Theatre as part of the Culture Recovery Fund. 

 

“Without this essential grant there is no doubt that the future of our historic theatre would have been greatly compromised. Thanks to the support from DCMS and Arts Council England we can now channel our efforts into securing the future of The REP, protecting jobs, and employing freelancers”. 

 

Birmingham-born actor Adrian Lester, a Trustee of the Board of The REP, said the £1.38m would allow it to "inspire and entertain again" when it is able to reopen.

 

Culture Secretary Oliver Dowden said the "vital funding" would secure the recipients' futures and "protect jobs right away".

 

"These places and organisations are irreplaceable parts of our heritage and what make us the cultural superpower we are," he said.

 

The government said the grants were being awarded "to places that define culture in all corners of the country".

 

Shakespeare's Globe, the Sage Gateshead, the replica Elizabethan theatre in London, Birmingham Royal Ballet,the CBSO and the Lichfield Garrick theatreare amongst those who will receive almost £3m from the £1.57bn Culture Recovery Fund.

 

Museums to benefit from this tranche of funding include the Ironbridge Gorge Museums in Shropshire and the Black Country Living Museum in Dudley.

 

More than £500m has now been allocated from the Culture Recovery Fund to almost 2,500 cultural organisations and venues.

The city of Coventry, in the Warwickshire, will play host to the Turner Prize in 2021, as one of a number of events revealed for its year as the UK's City of Culture with The Specials singer Terry Hall also set to curate a three-day festival, it has been announced.

 

The Covid-19 pandemic means the start of the year-long programme has been postponed, with the opening now set to take place on May 15.

 

Its creative director Chenine Bhathena told a digital launch event that plans were "rooted in the people of the city".

 

"We know our programme will create a year of extraordinary experiences."

 

The exhibition of the Turner Prize's shortlisted artists will run from 29 September 2021 to 12 January 2022, with the announcement of the winner on 1 December.

Turner Prize chair Alex Farquharson said he was "delighted" it would be held in the city, the first time in its history it will be hosted in the Midlands. Also among the events is the CVX Festival, made by young people with city rapper Jay 1 who will co-produce live music with his brand ONE Wave.

 

Martin Sutherland, chief executive of the City of Culture Trust, said: “We had been working over the summer to reimagine what a city of culture can be following the pandemic.” He also said that he was "delighted" with what had been done.

 

Organisers said all the events were being planned in a "flexible and responsive way", to allow them to go ahead in line with any guidelines in place at the time.

 

Ms Bhathena said they were looking to welcome visitors in a "safe, socially distanced way" and show people "what they can do, rather than what they can't do".

 

A full programme of events will be announced in January.

 

Conservative MPs have criticised a campaign for free school meals to be extended over the holidays.

 

Last week England footballer Marcus Rashford launched a petition urging government to make the change. But in a Commons debate Brendan Clarke-Smith said we need less "celebrity virtue signalling on Twitter". And Kieran Mullan said celebrities with hundreds of thousands of followers should encourage people to volunteer not just sign petitions.

 

Manchester United striker Rashford has argued that the number of children with little access to food had grown due to families losing income amid Covid-19 restriction measures.

 

In a tweet, he said he was keeping his eye on the Commons which voted on a Labour plan to offer food support to poorer families over the school holidays until Easter 2021. He said he would be looking out for those prepared to "turn a blind eye" to vulnerable children's needs.

MPs voted against Labour's motion 322 votes to 261.

 

Prime Minister Boris Johnson said he would not change his policy on free school meals, arguing that poor families were supported by the benefits system. He told MPs: "We support kids of low incomes in school and we will continue to do so.

 

But he added that the government would "continue to use the benefit system and all the systems of income support to support young people and children throughout the holidays as well." The prime minister's official spokesman later clarified that the government would not be changing its policy on support for poor families.

 

A campaign by Rashford pushed the government into a dramatic U-turn when it agreed to extend free school meals over the summer holidays.

 

This year marks the 40th anniversary of the Mini Metro and an online exhibition has been created by the British Motor Museum to celebrate a car that divided opinion.

 

Originally under the Austin marque, the first model was designed in just over six weeks. The cheapest model was £3,095, undercutting its main rival, the Ford Fiesta, by £65. Seventeen years later, now badged as the Rover 100, Metro number 2,078,219 became the final car to emerge from the production line.

 

40 years on from its launch and online fans are growing - fuelled by family nostalgia.

 

Cat Griffin, curator at the British Motor Museum, said: "We've got a loads of cars in our collection here and we like to celebrate the ordinary as being extraordinary, just as much as the super cars."

 

"Sometimes you'll have a great moment in the museum where someone who actually worked on the car can find their name here on it. And it's those little connections of people learning to drive in the Metro, people's first car being the Metro - and that's what they connect with." The last Metro ever built at the Longbridge factory in Birmingham was R100 END, and the signatures on its paintwork are from the people who helped to produce it.

 

There appears to be an emotional Mini Metro renaissance with about 300 cars at the British Motor Museum in Warwickshire - but only one is adorned with 1,000 signatures.

This October Wolverhampton Art Gallery are showcasing a selection of pieces from its collection in a new exhibition entitled ‘Stellar: Stars of our Contemporary Collection.’

More than 20 artists, who have either been nominated for the Turner Prize - one of the most prestigious prizes in the art world - or selected for the British Art Show over its 40-year history, will be featured.

Stellar: Stars of our Contemporary Collection,which opens on Saturday, October 24 and continues until Sunday, January 17, presents an array of painting, drawing, sculpture, print, film and photography by some of the leading lights of British contemporary art in recent decades.

The exhibition explores some of the themes that have fuelled the work of these trailblazing artists – topics such as gender politics, conflict and cultural identity.

Wolverhampton Art Gallery, Lichfield Street, has a reputation for responding to pressing social issues and acquiring works that are both politically aware and artistically rich. Curators such as David Rogers in the 1970s, Brendan Flynn in the 80s and 90s, and the gallery’s current Manager for Arts and Culture, Marguerite Nugent, have all taken bold steps to build a vibrant, relevant and thought-provoking contemporary art collection.

City of Wolverhampton Council Cabinet Member for City Economy, Councillor Stephen Simkins, said: “The city has a spectacular collection and this exhibition showcases a variety of artists and styles.

“It is a fantastic opportunity for visitors to see more of the city’s art collection, including some pieces that have not been on display for some time, and it also paves the way for the British Art Show, which will be in Wolverhampton in 2021.

“While we want visitors to enjoy the exhibitions available at the gallery, I ask that visitors follow the Government guidance to ensure the safety of our staff and other venue users.”

‘Stellar: Stars of our Contemporary Collection,’ has been curated through the lens of the gallery’s collecting priorities since the 1970s, from Pop Art through Abstract painting and works relating to the Troubles in Northern Ireland and other areas of unrest, to work by Black British artists. It is a prelude to British Art Show 9 (BAS9), launching in Wolverhampton in March 2021.

The British Art Show takes place every five years and is the largest and most ambitious survey of recent developments in British art.

Wolverhampton Art Gallery is open Monday to Saturday (10.30am to 4.30pm) and Sunday (11am to 4pm).

To ensure that your visit is safe for both staff and visitors there are some changes that you will see, such as social distancing measures, checks on arrival, face coverings, hand sanitiser stations and allocated toilets. Where possible we ask that contactless payments are made.

A video is available at: www.wolverhamptonart.org.uk to outline what to expect when visiting.

 

On the occasion of the Halloween party, Bottega, winery and distillery from Treviso area (Italy), promotes Accademia Rainbow Prosecco, a collection of bottles, designed to celebrate parties and special events.

 

Accademia Prosecco Rainbow is an innovative project whose primary objective was to create a series of bottles, characterized by ad hoc colors to celebrate anniversaries and events.

 

An innovative proposal that has aroused the interest of consumers in Italy and in many other countries.

 

Halloween 2020, in full compliance with the precautions that the pandemic imposes, can therefore be enriched not only by traditional carved pumpkins but also by a series of orange and black bottles, which interpret the reference colors of the craziest event of the year.

 

The collection of bottles, in addition to orange and black, includes the following colors: red, yellow, green, blue, purple and white. It is a tribute to the Venice carnival and its unique atmosphere.

It is no coincidence that Venetian glass has been produced for over 1,500 years. And Venice, which immediately recalls the artistic tradition of blown glass, boasts at the same time a long history of innovation in glass processing. In this context, the lagoon city was the first major production center in Europe.

 

Accademia coloured bottles are inspired by this historical legacy and the resulting artisan culture.

 

Bottega

Bottega company, led by Barbara, Sandro and Stefano Bottega, is both a winery and a distillery. Founded in 1977 by Aldo Bottega with the name Distilleria Bottega, the company is based in Bibano di Godega (TV), 50 km north of Venice, where it produces grappas, wines and liqueurs that appeal to a high and medium-high level target.

 

Among the grappas, marketed under the Alexander and Bottega brands, stand out the fine selections of single-variety and the spirits aged in barrique.

 

The range of Bottega wines includes Prosecco, including the well-known Bottega Gold, and other sparkling wines with great personality. Amarone, Ripasso, Brunello di Montalcino and other great reds are produced in the two detached cellars, in Valpolicella and Montalcino.

 

The Bottega offer is completed by the Creams & Liquors line, which includes an extensive range of fruit liqueurs and creams, including Limoncino, Gianduia, Fiordilatte. The company, which distributes its products in 140 countries around the world, has achieved over the years over 300 international prizes and awards for quality.

 

 

The West Midlands has won a bid for almost £1million to help people who are struggling to keep their homes warm this winter.

The grant has been made to the charity Act on Energy, a member of the West Midlands Combined Authority’s (WMCA) fuel poverty task force set up by Energy Capital  which is responsible for identifying funding to tackle the problem in the region.

The Warmer Homes West Midlands programme will receive £909,358 to provide energy advice to people who are struggling to keep their homes warm. The West Midlands has some of the highest rates of fuel poverty in England, second only to the North West region.

 

The advice programme will help more than 7,000 vulnerable households, will create jobs and help support WMCA’s environment target of #WM2041 – to be carbon neutral by 2041.

The programme will also improve the health and wellbeing of people with pre-existing cold and damp related medical conditions through energy saving advice, energy saving measures and debt advice.

Rachel Jones, chief executive, Act on Energy said: “This an exciting programme that comes at a critical time, enabling households to have a warm and affordable home is vital especially during the current coronavirus pandemic. This programme will enable us to support vulnerable residents across the region and provide the support and guidance they need to live in warm and affordable homes.

“The programme will also enable us to recruit outreach workers directly across the local community so we can really understand and support the needs of a community and work together to address the impacts of those who are living in fuel poverty.”

This project forms part of a wider regional fuel poverty and retrofit programme being led by Energy Capital at the WMCA, aiming to provide jobs and support for local people as part of the region’s green recovery.

Andy Street, the Mayor of the West Midlands, said: “The WMCA remains utterly committed to tackling the region’s climate emergency by 2041, and addressing fuel poverty is a key part of those plans. This is why the Warmer Homes West Midlands programme is so important, and I am pleased we have received this new funding to enhance our work.

 

“As well as making homes more fuel efficient by helping people keep their homes warm, addressing fuel poverty will also help to improve people’s health by eradicating damp homes, and improve their economic situation by making energy bills more affordable.” 

The award given to Act on Energy is from a fund held by the Energy Savings Trust - which was set up to finance charities to deliver programmes to benefit the public. Called the Energy Redress Scheme, it is funded by money collected by Ofgem from energy companies, usually because they have broken the regulator’s rules.

The project aims to reduce fuel poverty, which is defined as when householders can’t afford to keep adequately warm at a reasonable cost, on their income. A total of 304,000 fuel poor households exist in the West Midlands and 12.6% of households suffer from fuel poverty due to higher than average fuel costs, combined with lower than average incomes

A team of qualified energy advisors will be recruited to provide advice by telephone, through case work, home visits and community events, where it is safe to do so. A team of community outreach workers will ensure that as wide a range of people as possible will be able to take advantage of the project.

Councillor Ian Courts, leader of Solihull Council and environment portfolio holder for the WMCA said: “We have set a target for the West Midlands to be carbon neutral by 2041, but we must make sure no one is left behind. This programme will contribute to that goal.

“The grant is to be welcomed and I’m pleased that Act on Energy will now be helping us tackle the scourge of fuel poverty by running The Warmer Homes West Midlands programme.”

The news of the grant comes in the same month as a taskforce featuring some of the UK’s top property experts has been launched to help the West Midlands accelerate the construction of low carbon, energy efficient homes.

The Zero Carbon Homes Taskforce has been set up by the West Midlands Combined Authority (WMCA) to support the region’s fight against climate change, making sure all new homes meet tough zero carbon standards from 2025 onwards.

The taskforce, which is being chaired by the UK Green Building Council, will provide local and expert insight into how the region plans for a net zero future as it works towards achieving its ambitious target of being carbon neutral by 2041.

 

 

Less than half of private renters in the West Midlands feel safe in their home during the current pandemic

A major report by Shelter has today exposed the ugly truth of the housing crisis, as regional analysis of England-wide polling data shows less than half (46%) of private renters in the West Midlands say their home has made them feel safe during the pandemic.  

Calling on the Chancellor to act now to save the nation’s homes, the charity’s Building Our Way Out report outlines how a disastrous lack of social homes across the country has plunged England into a housing emergency, which is only intensifying as Covid-19 puts unprecedented pressure on those in poor housing.  

With grim predictions on what lies ahead, Shelter is warning the government’s existing provision for delivering new social homes is woefully inadequate. There is currently only enough funding set aside to provide one social home for every 96 households on the waiting list. And with a swelling housing benefit bill forecast to hit £24 billion per year by 2024/25 - that does not account for the impact of the pandemic - it is urging the Chancellor to intervene. By introducing a rescue package of investment in social housebuilding, Shelter argues the government could provide thousands with a safe home.  

The charity’s research demonstrates just how badly decent, affordable social homes are needed. According to a poll of English adults carried out by YouGov for the report, many private renters in the West Midlands continue to spend the pandemic stuck in poor-quality, expensive and overcrowded accommodation:  

104,000 (14%) of adult private renters in the region are constantly struggling with their rent or are already falling behind.  

196,000 (26%) live in poor conditions, with electrical hazards, pests or damp-related issues in their home.  

169,000 (35%) say they pay too much for the quality of home they have.  

112,000 (15%) say a lack of indoor living space made lockdown harder.  

Polly Neate, chief executive of Shelter, said: “Our homes are our first line of defence in this pandemic. But thousands in the West Midlands have spent months trapped in private rentals they do not trust to keep them safe. And right now, there is no light at the end of the tunnel.  

“After decades of decline, a dire lack of social homes means too many people, pay too much for cramped and poor-quality housing. Or worse yet they find themselves with nowhere to live. With the stakes so high, the case for building decent social homes is clear.”
 
Shelter’s report calls for a targeted rescue package of £12.2 billion over the next two years to fund a total of 50,000 new social homes, out of a total of 145,000 new affordable homes. These 50,000 new social homes equate to almost four times the number of social homes currently delivered each year. Funding this programme could kickstart the post Covid recovery and reverse years of decline in social housebuilding.  

Polly Neate continued: “Before a thundercloud of homelessness breaks over us, the Chancellor needs to be as swift and bold on housing as we’ve seen him be on jobs. By turbocharging investment in social housing today, we can build ourselves out of this pandemic and lay the foundations of a better future.”  

Case study: Michelle, 58, is a store manager living in Hereford with her son. She was diagnosed with a serious and life-limiting condition in February of this year and has been shielding throughout the pandemic. In July after just four months in her home, she was served with a Section 21 ‘no-fault’ eviction notice by her landlord because he wanted to sell the property.  

Michelle said: “I feel so tired of the renting game. When you’re in your late 50’s like me, even on a good wage there’s no way you can get a mortgage. So, you’re left with private renting.   

“I was diagnosed with severe Vasculitis in February this year, and then in July, after only four months in my home, my landlord gave me an eviction notice because he wanted to sell. I was in shock. I had to look for a new home while I was highly vulnerable and shielding.       

“If I could live in a social home, it would give me such peace of mind that I won’t have to move every six months. It would mean I could unpack, put things up on the wall, have a cat. Just little things in life that would make such a big difference. All I can do now is put my pictures on the hooks the landlord has left. It sounds really basic, but it is part of wanting to make a home.” 

 

 

Motherland Cooking Xperience, the ultimate African food immersion cooking resource, has announced its launch as “the online cultural connection” for food and fun. Motherland Cooking Xperience is a new and unique interactive African cooking experience offering cooking demonstrations, private date night cooking evenings, and hands-on cultural competency training. These interactive, in-person or virtual cooking demonstrations highlight Africa’s culinary diversity through a three-course meal cooking class, paired with drinks and live music.

 

Owner and Chef Mirabel Umenei, a mother of three, is also the founder of Motherland Cultural Connections. “I wear multiple hats,” she explained. “I created Motherland Cooking Experience because I love people, African culture, music, and food. Now I’ve made it possible to share my passions and joy with the world. Motherland Cooking Xperience was founded to provide a platform for immigrants with ties to Africa and showcase their talents through food, music, art, and storytelling. This is a dedicated effort to bridge the cultural gap between African immigrants and their families with their communities of residence.”

 

The organization also wants to mentor and empower African immigrants financially through integration and participation in local culture with their neighbors. “At Motherland Cooking Xperience, we are passionate about showcasing the diverse and exciting activities of Africa through delicious food, cooking demonstrations, beverages, and music from Africa,” Umenei added. “I am excited to be a part of this group, and I look forward to learning, connecting, and networking. We also love hosting Bachelorette and a Girls’ Night Out Parties! Foodies and adventurers — ‘We got you!’”

 

The Motherland Cooking Xperience team has created a hands-on and relaxed experience sharing historic and meaningful African recipes. When clients want to host this experience at home with friends and families, the organization will arrange a unique and custom online cultural experience. Some of the most popular Motherland Cooking Xperience recipe highlights include a barbecue with their unique dry rubs, stewed greens, soups, and delicious Central and West African dishes. The experiences are created for hands-on fun and deliberately curated to share the best of African culinary culture. Cameroonian cuisine is one of the most varied in Africa due to its location on the crossroads between the north, west, and centre of the continent.

 

Their sister programs, Motherland House Concerts offer two additional education platforms.

 

‘Elimu Experience’ is an interactive, in-person or virtual experience teaching cultural competency for businesses, African social studies for schools, and African dance and drumming workshops. ‘Motherland House Concerts’ showcases African music acts and storytelling in an intimate setting, which can be tailored for an in-person or online audience.

 

Clients can sign up on the home page at MotherlandCookingXperience.com for a free cooking class.