Colors: Red Color

Vamos Theatre, the UK’s leading full mask theatre company, is launching The Wednesday Wave, a national and international campaign to combat loneliness amongst care home residents and those who feel isolated during the current pandemic and beyond.

More than half a million vulnerable people are still unable to leave their homes due to coronavirus. It’s having a huge impact on mental and physical health and those still isolating must not be forgotten.

For ten weeks, from 14th October until 16th December 2020, the Arts Council England-funded theatre company is encouraging the public to connect with residents in local care homes or isolated neighbours, by waving to them through windows from 3pm on Wednesdays. The company are also connecting primary schools with local care homes.

How does it work?

  • If you are a Care Home resident or live alone and feel isolated, or in need of contact, put The Wednesday Wave poster in your window, letting your community know that you’re inviting a wave. You can download a poster to print at www.vamostheatre.co.uk/TWWposter
  • If you’d like to wave, whether on your way home from school, on a break from work or on a daily walk, identify somewhere with a poster displayed.
  • From 3pm on Wednesdays, let the waving begin!

 

The idea for The Wednesday Wave was born out of How Hard is Waving? Vamos Theatre’s successful Culture in Quarantine commission for the BBC, a series of short films made in isolation during lockdown. How Hard is Waving? tells the story of a family trying to keep connected in lockdown and was itself inspired by the true story of Artistic Director Rachael Savage’s personal ‘wave’ with a local care home resident.

Rachael comments, “The impact that a friendly wave can have on loneliness is huge. We want this campaign to be felt nationally and internationally, and for communities of all backgrounds to take part, helping to make sure that those who are most at risk are not forgotten. Everyone can make a difference with the simple act of waving.”

Over 80 Care Homes with over 2,400 residents across the UK have already signed up to take part in The Wednesday Wave. Belfast, Nottingham, Warwickshire, Worcestershire, Essex, Birmingham, Solihull, Somerset and Hertfordshire are just some of the locations. These include: Runwood Care Homes UK; Eastern County Care;  Royal British Legion; Mowbray Nursing Home, Malvern; Arden House, Kidderminster and Stanfield Nursing Homes, Rushwick with more expected to join over the coming months.

Mark Topps, Registered Home Manager, Eastern County Care in Essex added: “We go out and walk everyday around our village, it's been hard for everyone in lockdown but the elderly villagers have really appreciated talking with us from a safe distance on our daily walks and some really look forward to us passing by and wait for us by their windows.  So, The Wednesday Wave is really worth while; it would make such a difference in people's day, improving their well-being and self-worth."

Vamos Theatre, funded by Arts Council England, was awarded one of the BBC’s Culture in Quarantine commission, celebrating the making of artistic work during lockdown.

The Wednesday Wave is being run in compliance with Government guidelines on COVID-19.

 

Britain’s award-winning rapper Lady Leshurr has been confirmed as the tenth celebrity skater to take part in ITV's Dancing on Ice 2021.

 

The Birmingham musician, who rose to fame with the help of YouTube, released her third EP, Quaranqueen, in June.

 

He said: "I don't what I've got myself in for, but everyone knows me to be someone who just throws themself in at the deep end. I just wing it a lot of the time."

 

"I'm petrified, but I've always wanted to ice skate so what's better than doing it in front of millions of people.

 

"I'm looking forward to having a new skill and just showing off in front of my friends."

 

The show, which starts filming in January, will see 12 celebrities skate live with their professional partners as they try to impress the judges - Torvill and Dean, John Barrowman and Ashley Banjo - and the voting viewers at home.

 

The rest of the line-up to date is: British Olympics sprinter Colin Jackson who won two 110m hurdles gold medals at the World Athletics Championships, as well as silver at the Seoul Olympics in 1988, England striker Jamee Vardy’s wife, Rebekah, who appeared on I'm A Celebrity... Get Me Out of Here! in 2017, former Olympics skier and broadcaster Graham Bell, Capital Radio DJ Sonny Jay, actor and singer Jason Donovan, who rose to fame in the 1980s on the Australian soap Neighbours, Faye Brookes who is best known for playing Kate Connor in Coronation Street, actress, singer and presenter Denise Van Outen, Emmerdale star Joe-Warren Plant and musician and presenter Myleene Klass.

 

Phillip Schofield and Holly Willoughby will return to host the programme.


 

Dozens of pantomime dames have marched on Westminster, as part of a day of action highlighting the plight of the live events industry.

 

The parade was organised after the rise in coronavirus cases prompted the cancellation of the 2020 panto season.

 

Actor Gary Bridgens, who normally performs in pantomime, under the stage name Gacko, every year, said: “The impact will ripple through the entire theatre industry for a generation.”

Organisers are calling for an extension to the government's furlough scheme for theatre workers.

 

"If the government don't support theatre in its hour of need, there won't be any - or worse, it will all need rebuilding after this disaster,” he said.

 

The protest in London coincided with a day of global events reflecting the issues facing the live event industry.

 

Under the slogan "red alert", the #WeMakeEvents campaign will see venues in 25 countries bathed in red light, to draw attention to the continued uncertainty over when concerts and shows can resume; and the precarious position actors, musicians and crew find themselves in.

 

Pre-empting the day of action, hundreds of people who normally work at concerts, festivals and theatres gathered in Parliament Square to hold a 30 minute silent protest at the government's handling of the situation.

 

 


 

The Bafta Film Awards will have more nominees next year in an attempt to increase the diversity of the stars and film-makers who are up for honours. All four acting categories as well as the best director award will have six nominees, instead of the usual five. Ten titles will be in contention for the outstanding British film award - four more than the customary six.

 

Earlier this year, Bafta (the British Academy of Film and Television Arts) was heavily criticised after picking an all-white line-up of acting nominees. Meanwhile, no female film-makers were nominated for the best director prize for the seventh year running.

 

Organisers carried out a "detailed review" as a result, and said they would now also seek to "meaningfully target" 1,000 new voting members from under-represented groups. The move, they said, was one in a series of steps "to ensure a more representative and inclusive membership that reflects today's British society".

 

In January, Blue Story director Rapman was among Bafta's many critics, saying it had done his gritty urban drama "dirty" by not shortlisting it for any awards. Bafta said the review had begun as "a direct response" to the lack of diversity in its 2020 nominations, but had "soon expanded to encompass all aspects" of the organisation.

 

Bafta said the expansion of its outstanding British film award would enable it to "do more to champion the vast pool of multicultural British talent".

 

"One of the key issues raised time and time again... was that too much deserving work was not being seen," said film committee chair Marc Samuelson. "The changes we are implementing are designed to ensure these films are seen and judged on merit alone."

 

Changes to campaigning rules will seek to ensure "a fairer consideration of all films regardless of marketing budget".

 

Bafta said this would ensure "smaller" films were not "left out of the conversation" and would have as much "visibility" as titles backed by major studios. Changes to Bafta's voting practices will ensure the best director jury will have a guaranteed number of female film-makers to choose from.

 

The final six nominees will be drawn from an expanded long list of 20 names, half of which will be female. Bafta said this would help to address "a historic lack of female representation in the directing category". Only five women have ever made the shortlist for the best director award, which Bafta first presented in 1969.

 

Kathryn Bigelow, the only woman to win, for The Hurt Locker in 2010, was also the last woman to be shortlisted when she was nominated in 2013 for Zero Dark Thirty. All voting members will also now be required to take a "specially designed bespoke" course in "conscious voter training".

 

Bafta said that would help its members "navigate and recognise the wider societal influences that can impact the voting process".

 

In the case of the overall best film award, all voters will be required to watch all 15 movies on the longlist. The shortlist will continue to consist of five films. Bafta's review was led by its chair Krishnendu Majumdar, Samuelson and a steering group that included former Doctor Who actor Noel Clarke, academic Sadia Habib and ITV's head of diversity Ade Rawcliffe.

 

Mr Majumdar praised them for "bravely sharing their experiences of racism and discrimination" during "tough, chastening (and) captivating" sessions.

 

"This is a watershed moment for Bafta," the TV producer said in a statement. "The Academy has never opened itself up like this before."

 

Bafta's chief executive Amanda Berry concurred, saying the review was "a fantastic opportunity... to make substantial cultural and organisational change". Bafta said "significant changes" to its Television Awards would be announced in October and that its Games and Children's Awards would also be reviewed.

 

The 2021 Bafta Film Awards are scheduled to take place on 11 April, two months later than usual due to the coronavirus pandemic.

 

People all over the world are falling under the spell of Master KG’s infectious breakthrough single ‘Jerusalema’. Originally released in his home country of South Africa, ‘Jerusalema’ has taken on a life of its own, its irresistible feelgood vibe being discovered the world over. The song’s international discovery has been powered by the #JerusalemaDanceChallenge, which has seen over 6 million videos uploaded to TikTok and Instagram featuring people sharing their take on the song’s joyous dance. Cristiano Ronaldo’s video has now accumulated over 20 million views. 
 
While ‘Jerusalema’ is long established as a viral sensation (180 million views at TikTok plus 150 million at YouTube), the track has only recently been added to streaming services. And it’s already flying, hitting #1 on the Global Shazam Chart, #16 on Spotify’s Global Viral chart and rapidly climbing airplay charts everywhere. That organic growth has been boosted by a remix which features the Grammy-nominated Afro-fusion star Burna Boy and has been added to Kiss FM, Capital Xtra, 1Xtra and Kiss FRESH. 
 
It only takes one listen to discover why ‘Jerusalama’ is making such a big impact. From its sun-kissed beat to the sweet vocals from featured artist Nomcebo, it’s an immediately uplifting antidote to the challenging times we’re experiencing. That atmosphere resonates in the official video too, with Master KG and Nomcebo’s performance inspiring carefree dance moves from the community around them. Recorded in the Zulu language, it translates as a gospel-style message: “Jerusalema is my home / Guard me, walk with me / Don’t leave me here.”
 
“It is so wonderful to see the love from all over the world,” said Master KG. “I used to dream of such moments when I was still underground and starting to make music.”
 
Raised in Calais in the northern South African province of Limpopo, Master KG first came to attention with his 2018 track ‘Skeleton Move’. It set him on course to win Best Artiste, Duo or Group In African Electro at the All Africa Music Awards (AFRIMA); the SABC Summer SongBest Dance Song at the Limpopo Music Awards; and Best Male Artist South African at the African Muzik Magazine Awards 2019.

Jo Malone has criticised the perfume brand bearing her name for their treatment of the actor John Boyega. Malone is no longer personally associated with the company, having sold it to Estee Lauder in 1999.

 

The company, Jo Malone London, apologised after replacing the Star Wars actor in an aftershave advert for the Chinese market.

 

"I am so horrified and disgusted about what has been done to John," Malone said. "How dare somebody treat him like that and he finds out he is replaced on social media?

 

"They never spoke to him. That for me is utterly despicable and is disgusting."

 

Jo Malone London re-shot the advert the Star Wars actor made, in his home town of London, for broadcast in China.

 

While the script for the aftershave commercial - which was originally conceived and directed by the British star - remained largely the same, it saw him replaced by another actor, Liu Haoran.

 

The original version, entitled London Gent, showed Boyega hanging out with friends and family in Peckham, where he grew up, but they were also removed for Chinese audiences.

 

Boyega stepped down as an ambassador for the company in protest over their decision.

 

The firm issued an apology to Boyega on Monday, saying: "We deeply apologise for what, on our end, was a mistake in the local execution of the John Boyega campaign."

 

Jo Malone London reiterated their apology on Thursday, clarifying that the founder has not been involved with her former company since 2006.

 

Former owner Malone expressed her dismay at being dragged into the situation on social media earlier this week.

Speaking to Lorraine on ITV, she added: "From a personal level, I feel heartbroken by this and I don't know where to turn."

 

"This has gone global and my name has been associated," she went on. "It's been done in my name but also people think it's me."

 

"If I'd have been standing in those shoes I promise you John this wouldn't have happened.

Malone added: "This man wasn't using his image to just promote something - he brought his creativity to the advert."

 

She said Boyega "brought his life story to people and to that brand and how dare somebody treat him like that and he finds out he's been replaced on social media.

 

“That's the bit that really gets to me."

 

 

Pop legend Madonna has announced she will direct a film about her own life and career. The star is also co-writing the movie with Diablo Cody, the Oscar-winning screenwriter of Juno and Young Adult. The script is expected to chart her rise from the slums of New York to global superstardom, via songs such as Like A Virgin and Vogue.

 

She said the film would focus on music, adding: "Music has kept me going and art has kept me alive." The as-yet-untitled project will be Madonna's third as director after 2008's Filth and Wisdom and 2011's WE, which was based around King Edward VIII's affair with Wallis Simpson. The latter film was panned by critics, and bombed at the box office, making just $2m (£1.5m) against a budget of $11m (£8.5m).

 

However, with huge successes for Elton John's Rocketman and the Freddie Mercury film Bohemian Rhapsody - for which Rami Malek earned an Oscar - rock and pop biopics are in the middle of a purple patch. Madonna's entry to the genre will be made by Universal Pictures - which previously attracted the artist's anger by snapping up an unofficial script based on her life. No casting or production timeline for the film has been announced, but the megastar has charted the early stages of scripting on her Instagram account.

 

In a Q&A with fans, she said the biopic would be about her "struggle as an artist trying to survive in a man's world," adding that the journey covers a range of emotions: "happy, sad, mad, crazy, good, bad and ugly". She added that the plot would address her relationship with artist Jean-Michel Basquiat, the fallout from her controversial Like A Prayer video and her experience filming Evita.

 

In a statement confirming her directorial role Madonna said: "I want to convey the incredible journey that life has taken me on as an artist, a musician, a dancer - a human being, trying to make her way in this world.

"It's essential to share the roller coaster ride of my life with my voice and vision."

 

The annual Strictly Come Dancing special in Blackpool will not take place this year, the BBC has confirmed.

 

A BBC spokesman said while contestants would not physically go to Blackpool's Tower Ballroom in 2020, they would still be "celebrating the iconic venue" from Elstree studio.

It follows changes made to the show due to coronavirus restrictions.

 

Beginning in October, the forthcoming series will be shorter than usual.

Contestants will be staying in a hotel for two weeks ahead of pre-recording all the group dances.

 

Strictly's annual special at Blackpool, filmed in one of the country's most historic ballrooms, is seen by contestants and the professional dancers alike as one of the highlights of the series. The show has filmed at the venue since 2004, taking regular breaks. However, since 2013 there has been a Blackpool special annually.

 

Blackpool is renowned for being a home for ballroom dancing, having hosted the Blackpool Dance Festival since 1920. That event is taking place online this year as a result of coronavirus.

 

A BBC spokesman said: "Blackpool is a milestone moment in every series of Strictly that our audience, our celebs and professional dancers look forward to.

 

"Whilst we'll be unable to physically go to Blackpool this series, we'll still be celebrating this iconic venue and bringing it to life from our studio in Elstree." It comes after former home secretary Jacqui Smith was confirmed as the 12th and final celebrity contestant for 2020.

 

Smith will join with stars including Bill Bailey, Clara Amfo, and HRVY.

 

Birmingham Hippodrome is set to host the UK premiere of Van Gogh Alive, a multi-sensory arts and entertainment experience for the whole family to enjoy.

Opening 8 Oct 2020, Van Gogh Alive, produced by Grande Exhibitions, has inspired over 6 million people across 50 cities around the world and is now set to transform Birmingham Hippodrome’s auditorium to display Van Gogh’s work in a spectacular immersive experience.

Van Gogh’s works have been exhibited and admired for over a century – but never like this. The multi-sensory experience provides visitors with the unique opportunity to immerse themselves in Van Gogh’s artistry and truly venture into his world through beautifully curated projections accompanied by a stunning classical soundscape.

Fiona Allan, Artistic Director and Chief Executive Officer, Birmingham Hippodrome said: “Having been closed to the public since March, and it being financially unviable for Birmingham Hippodrome to reopen for live performance until social distancing guidance is relaxed, we have had to completely rethink how to use the building and how to serve our public. The opportunity to do something completely different with our spaces, and still provide a high quality and compelling cultural experience, came at exactly the right moment. 

"I’m proud we are partnering with Grande Exhibitions to host the UK premiere of Van Gogh Alive. Make no mistake, this is no ordinary art exhibition it is a ground-breaking and breathtaking multi-sensory experience, unlike anything seen before in the region. It gives us the reason we needed to reopen the Hippodrome to the public. Best still, we can operate it safely under social distancing guidelines, and I just know our visitors are going to be absolutely blown away.”

This will be the first time Birmingham Hippodrome has invited the public back into the building after being forced to close in March due to the global pandemic of COVID-19. This large-scale art event provides a COVID safe environment that exceeds government public health guidelines. Controlled visitor capacities and managed visitor flow mean visitors can easily respect government social-distancing guidelines.

Grande Exhibitions, the creator and producer of Van Gogh Alive, use state-of-the-art SENSORY4 immersive gallery technology, combined with a tailored exhibition space to allow crystal-clear projection of over 3000 inspirational images. Set to an evocative classical score, visitors are surrounded by a vibrant symphony of light, colour, sound and fragrance that has been called an ‘unforgettable’ multi-sensory experience. The technology brings Van Gogh's masterpieces to life and gives visitors the sensation of walking right into his paintings, a feeling that is simultaneously enchanting, entertaining and educational.

In addition to the main exhibition and gift shop, Van Gogh Alive will also feature interactive art stations, interpretative areas, a re-creation of Van Gogh’s ‘Bedroom in Arles’ and the hugely popular ‘Sunflower selfie room’.

Bruce Peterson, Owner of Grande Exhibitions, said: “We are incredibly excited that Van Gogh Alive is set to make its UK debut in Birmingham. The global exhibition is a perfect COVID-aware experience for the whole family that will provide some escapism and education. We find that adults and children enjoy the experience in different ways, finding their own meaning in Van Gogh’s work as they explore the galleries.

"We visited a number of venues in the UK, but as soon as we entered Birmingham Hippodrome, we knew we had to bring our Van Gogh Alive here. It is a unique, iconic venue and we truly believe once we tailor the experience to come alive in The Hippodrome, visitors won’t believe their eyes at the size, scale and beauty within."

Since announcing the opening in Sydney and re-opening in Mexico City with COVID-safe measures in place, demand for tickets has been even higher than pre-lockdown. We are confident that the experience will be extremely popular in Birmingham and we can’t wait to open the doors to our first ever UK showing!”

Having enjoyed enormous success in iconic cities such as Madrid, Singapore, Beijing, Abu Dhabi, Milan, and Rome, to name a few, the experience is set to place Birmingham firmly at the heart of the UK’s cultural recovery and provide a welcome morale boost to the whole Midlands region.

Ian Ward, Leader of Birmingham City Council, said: “We have a long and proud history in Birmingham of celebrating art and culture and Van Gogh Alive is a great opportunity to continue to support this vibrant and important industry. Like many other cities and communities across the UK, the Midlands has faced many challenges over the past few months, and it is important for us to get back inside our much-loved institutions and lift our spirits.

"I know I can speak on behalf of  Birmingham and the wider region when I say how excited I am that we are hosting the UK premier of Van Gogh Alive and I cannot wait to visit and experience it myself.”

Andy Street, the Mayor of the West Midlands, added: “Many sectors are going through an incredibly difficult period due to the coronavirus pandemic, and the arts is no exception. Birmingham Hippodrome has had its challenges, but it is a critical venue for the West Midlands, and it is great to see how it is adapting and thinking outside the box to overcome these challenges.

“The arrival of Grande Exhibitions and Van Gogh Alive is not only a boost for the Hippodrome, but it will also be great for the wider West Midlands economy, helping to draw visitors back to our region.”

Tickets are on sale now and can be purchased from vangoghaliveuk.com.

 

 

Birmingham Hippodrome is set to host the UK premiere of Van Gogh Alive, a multi-sensory arts and entertainment experience for the whole family to enjoy.

Opening 8 Oct 2020, Van Gogh Alive, produced by Grande Exhibitions, has inspired over 6 million people across 50 cities around the world and is now set to transform Birmingham Hippodrome’s auditorium to display Van Gogh’s work in a spectacular immersive experience.

Van Gogh’s works have been exhibited and admired for over a century – but never like this. The multi-sensory experience provides visitors with the unique opportunity to immerse themselves in Van Gogh’s artistry and truly venture into his world through beautifully curated projections accompanied by a stunning classical soundscape.

Fiona Allan, Artistic Director and Chief Executive Officer, Birmingham Hippodrome said: “Having been closed to the public since March, and it being financially unviable for Birmingham Hippodrome to reopen for live performance until social distancing guidance is relaxed, we have had to completely rethink how to use the building and how to serve our public. The opportunity to do something completely different with our spaces, and still provide a high quality and compelling cultural experience, came at exactly the right moment. 

"I’m proud we are partnering with Grande Exhibitions to host the UK premiere of Van Gogh Alive. Make no mistake, this is no ordinary art exhibition it is a ground-breaking and breathtaking multi-sensory experience, unlike anything seen before in the region. It gives us the reason we needed to reopen the Hippodrome to the public. Best still, we can operate it safely under social distancing guidelines, and I just know our visitors are going to be absolutely blown away.”

This will be the first time Birmingham Hippodrome has invited the public back into the building after being forced to close in March due to the global pandemic of COVID-19. This large-scale art event provides a COVID safe environment that exceeds government public health guidelines. Controlled visitor capacities and managed visitor flow mean visitors can easily respect government social-distancing guidelines.

Grande Exhibitions, the creator and producer of Van Gogh Alive, use state-of-the-art SENSORY4 immersive gallery technology, combined with a tailored exhibition space to allow crystal-clear projection of over 3000 inspirational images. Set to an evocative classical score, visitors are surrounded by a vibrant symphony of light, colour, sound and fragrance that has been called an ‘unforgettable’ multi-sensory experience. The technology brings Van Gogh's masterpieces to life and gives visitors the sensation of walking right into his paintings, a feeling that is simultaneously enchanting, entertaining and educational.

In addition to the main exhibition and gift shop, Van Gogh Alive will also feature interactive art stations, interpretative areas, a re-creation of Van Gogh’s ‘Bedroom in Arles’ and the hugely popular ‘Sunflower selfie room’.

Bruce Peterson, Owner of Grande Exhibitions, said: “We are incredibly excited that Van Gogh Alive is set to make its UK debut in Birmingham. The global exhibition is a perfect COVID-aware experience for the whole family that will provide some escapism and education. We find that adults and children enjoy the experience in different ways, finding their own meaning in Van Gogh’s work as they explore the galleries.

"We visited a number of venues in the UK, but as soon as we entered Birmingham Hippodrome, we knew we had to bring our Van Gogh Alive here. It is a unique, iconic venue and we truly believe once we tailor the experience to come alive in The Hippodrome, visitors won’t believe their eyes at the size, scale and beauty within."

Since announcing the opening in Sydney and re-opening in Mexico City with COVID-safe measures in place, demand for tickets has been even higher than pre-lockdown. We are confident that the experience will be extremely popular in Birmingham and we can’t wait to open the doors to our first ever UK showing!”

Having enjoyed enormous success in iconic cities such as Madrid, Singapore, Beijing, Abu Dhabi, Milan, and Rome, to name a few, the experience is set to place Birmingham firmly at the heart of the UK’s cultural recovery and provide a welcome morale boost to the whole Midlands region.

Ian Ward, Leader of Birmingham City Council, said: “We have a long and proud history in Birmingham of celebrating art and culture and Van Gogh Alive is a great opportunity to continue to support this vibrant and important industry. Like many other cities and communities across the UK, the Midlands has faced many challenges over the past few months, and it is important for us to get back inside our much-loved institutions and lift our spirits.

"I know I can speak on behalf of  Birmingham and the wider region when I say how excited I am that we are hosting the UK premier of Van Gogh Alive and I cannot wait to visit and experience it myself.”

Andy Street, the Mayor of the West Midlands, added: “Many sectors are going through an incredibly difficult period due to the coronavirus pandemic, and the arts is no exception. Birmingham Hippodrome has had its challenges, but it is a critical venue for the West Midlands, and it is great to see how it is adapting and thinking outside the box to overcome these challenges.

“The arrival of Grande Exhibitions and Van Gogh Alive is not only a boost for the Hippodrome, but it will also be great for the wider West Midlands economy, helping to draw visitors back to our region.”

Tickets are on sale now and can be purchased from vangoghaliveuk.com.

 

 

Tributes were paid to legendary actor Dame Diana Rigg, following her passing.

 

Best known for her roles in ‘The Avengers’, ‘Game of Thrones’ and the Bond film ‘On Her Majesty’s Secret Service’, she died of cancer, which was diagnosed in March.

 

Her acting career on stage and screen stretched out over more than 60 years. She first found fame in the mid-’60s when she was cast in ‘The Avengers’ as secret agent Emma Peel, an iconic character who was embraced as a style icon and a feminist role model. After quitting the series in 1968, she starred opposite George Lazenby in the 1969 Bond film ‘On Her Majesty’s Secret Service’, in which she played 007’s wife, Countess Teresa di Vicenzo.

 

She later won a BAFTA TV Award for her performance as a difficult mother-in-law in the 1989 miniseries ‘Mother Love’ and an Emmy Award for her portrayal of Mrs Danvers in a 1997 adaptation of Daphne Du Maurier‘s ‘Rebecca’.

 

For her more recent role as cunning matriarch Olyenna Tyrell in ‘Game of Thrones’ she earned four Emmy nominations, taking her career tally to nine.

 

She also appeared opposite her daughter Rachael Stirling in the 2013 Doctor Who episode ‘The Crimson Horror’.  

 

Her final movie role came in Edgar Wright‘s upcoming psychological horror movie ‘Last Night In Soho’, which is set for release in 2021.

 

She was also a highly revered stage actress who won the Tony Award for Best Actress in a Play for her performance in a 1994 Broadway production of the Ancient Greek tragedy ‘Medea’. That same year, she was made a Dame by Queen Elizabeth II for her services to drama.

 

The Oscar-winning screenwriter and playwright Sir Tom Stoppard shared a heartfelt tribute to her, saying: “For half her life Diana was the most beautiful woman in the room, but she was what used to be called a Trouper.

 

“She went to work with her sleeves rolled up and a smile for everyone. Her talent was luminous.”

 

Passed away peacefully, she was 82.

 

 

 

British superstar Stormzy has dedicated the video for his song Superheroes to Black Panther star Chadwick Boseman.

 

The multi-award winner said the late actor, who recently died after a lengthy battle with cancer, would be "forever a superhero in our hearts" in a caption at the end of the promo.

 

Introducing the video, the rapper told fans: "You are a superhero in your own right, and don't ever forget that."

 

The animated video includes references to Black Lives Matter as well as fellow rappers Little Simz and Dave.

 

The track's lyrics also mention singer Nina Simone and Noughts and Crosses author Malorie Blackman.

 

On the track, taken from his 2019 album Heavy Is the Head, he sends a message of encouragement to "young black kings" and "young Black Queens" - ordinary young people who may be struggling but are heroes in their own lives.

 

In his introduction, Stormzy said the track was inspired by his realisation that role models had been all around him growing up.

 

He said: "We're all superheroes. As much as we come from where we come from, we might be disadvantaged, we might have so many obstacles in front of us, you are a superhero in your own right, and don't ever forget that. Those little skills that we have, those big skills that we have, those talents, those things that often go ignored, that makes you a superhero..

 

"I wanted to make this video to basically inspire you guys, to let you know that the sky is the limit, to let you know that all those things inside of you make you incredible."

 

The video, which was directed by Taz Tron Delix, was shown at schools in London, Glasgow, Dublin and Manchester.

 

Boseman played Marvel's first Black superhero and his death prompted a deluge of tributes from his fellow actors plus politicians and many others around the world.

 

Oscar-winning actress Lupita Nyong'o wrote a stirring tribute to her late Black Panther co-star Chadwick Boseman, calling him a man whose power will ”reverberate for generations”.

 

She went on: “I write these words from a place of hopelessness, to honour a man who had great hope.

 

“The news of his passing is a punch to my gut every morning. His power lives on and will reverberate for generations to come."

Photo by Frank Schwichtenberg under CreativeCommons (CC)

 

Sampad South Asian Arts and Heritage, one of the UK’s leading arts development agencies, announces the launch of MY CITY, MY HOME, a major, specially commissioned, international writing competition for women and girls from diverse communities in Birmingham (UK), Bangladesh and Pakistan.

MY CITY, MY HOME is part of Transforming Narratives, a ground-breaking three- year project to establish Birmingham as a global centre for contemporary arts from Pakistan and Bangladesh.

MY CITY, MY HOME will reach out to emerging female writers from all three locations resulting in a publication of selected works, together with live readings at events in the UK and other countries.

Piali Ray OBE., Director of Sampad said: “The identity and role of women is as diverse across cities and countries as is 21st century society. Cities are a melting pot of cosmopolitan cultures yet, there is a distinctiveness and roots that connect to the past.

 

“By launching MY CITY, MY HOME in what is Sampad’s 30th anniversary year, we want to give women and girls the chance to tell their story. We need to hear it from them.”

The competition is open to women and girls aged 16 and over and can be a response to, or a reflection on the phrase MY CITY, MY HOME. Run online, women can enter a poem, short-story, or other prose.  A maximum of two pieces of work can be entered and will be accepted in English, Urdu, and Bangla languages.

MY CITY, MY HOME will work with Project Associates in Pakistan and Bangladesh connecting online with diverse groups of women and girls in their countries and supporting them to participate.

Sophina Jagot, Transforming Narratives Project Manager added: “The Transforming Narratives programme is all about making connections between artists and creative practitioners in Birmingham, Bangladesh and Pakistan, and it seemed to us now more than ever we needed to support the cultural sector in making those connections.

“Sampad’s MY CITY, MY HOME promises to make and develop many new connections with groups of women and girls creating opportunities for them to participate and create for themselves. We look forward to hearing their stories.”.

Closing date for entries is 30 December 2020. Winners will be informed between 22-26 February 2021 and will each receive £200.00. Publication of winning entries and further selected pieces will be launched in Birmingham, Pakistan, and Bangladesh in summer 2021.

Supported by Arts Council England, Birmingham City Council, British Council and Transforming Narratives, MY CITY, MY HOME, is part of Sampad’s Sakshi (meaning Witness in Hindi) strand launched in 2018. Running until 2022 Sakshi will deliver a series of projects which focus on girls and women, to involve them in creative projects and to get their voices heard through the arts.

The death Ronald Bell is still reverberating as one of the founder members of 1970s and 1980s funk bands Kool & the Gang remains one of the era's most popular and influential soul and funk bands.

 

After starting the band with his brother Robert "Kool" Bell in 1964, they crated some massive worldwide hits which included Ladies' Night, Get Down On It and Celebration (as musical director, he co-wrote all of their biggest hits).

 

Their music also featured in several films including Saturday Night Fever, for which they received a Grammy in 1978, and Pulp Fiction.

 

Bell was born and raised in Ohio, and picked up the music bug from his father, a professional boxer who was a close friend of jazz musicians Thelonious Monk and Miles Davis.

 

As a leading band member their career was split into two distinct halves. In the early 70s, they scored US hits with the foot-stomping funk of songs like Jungle Boogie and Hollywood Swinging. Then, with the addition of vocalist James ‘JT’ Taylor in 1979, they morphed into a hit-making R&B band, scoring the biggest commercial success of their career as they reached their 20th anniversary.

 

A self-taught saxophonist and singer, he founded the group in New Jersey with Robert and five school friends - Dennis Thomas, Robert Mickens, Charles Smith, George Brown and Ricky West.

 

"I used to beat paint cans like bongos”, he once said “and depending on how much paint was inside, this would determine the tone of the sounds we made”.

 

The first incarnation of Kool & The Gang formed in 1964, but they cycled through several names - including Jazziacs, The New Dimensions, The Soul Town Band, the Jazz Birds and Kool & the Flames before settling on their final moniker in 1969. Along the way, they combined their love of jazz with the gritty rhythms of street funk, creating a sound that would lead to their success in the 1970s.

 

He said: "We used to play a lot of percussion in the streets in the 60s, go to the park and start beating on drums and stuff in the street".

 

On forming the band, he recalled: "You had a hard time trying to get us to play R&B.

 

"We were die-hard jazz musicians. We're not stooping to that".

 

The group received a star on the Hollywood Walk of Fame in 2015 for their contribution to the world of entertainment, and were inducted into the Songwriters' Hall Of Fame in 2018.

 

Bell died at his home in the US Virgin Islands with his wife by his side, his publicist said.

 

The cause of death was not given.

 

He was 68.

 

 

It was his "favourite song" from the band's extensive back catalogue, he told the Reuters news agency in 2008.

"I had no clue, you know," he said. "I was clueless, thinking that that was going to be a hit. I had no idea.

"But after all these years, there are times at the end of the show when I see all of these people singing a song, and after all of an hour and a half, you ask them to jump up and down and they still jump up and down. That's kind of overwhelming for me."

.

Unable to afford drums, he and his brother taught themselves to play on makeshift instruments.

 

After the family moved to New Jersey in his teens, Bell's mother bought him a real set of bongos and he began to teach himself bass guitar, borrowing an instrument from the brother of his future bandmate Robert "Spike" Mickens.

 

 Bell told Rolling Stone.

 

Their career was split into two distinct halves. In the early 70s, they scored US hits with the foot-stomping funk of songs like Jungle Boogie and Hollywood Swinging. Then, with the addition of vocalist James "JT" Taylor in 1979, they morphed into a hit-making R&B band, scoring the biggest commercial success of their career as they reached their 20th anniversary.

As musical director, Bell co-wrote all of their biggest hits, including the wedding disco classic Celebration.

It was his "favourite song" from the band's extensive back catalogue, he told the Reuters news agency in 2008.

"I had no clue, you know," he said. "I was clueless, thinking that that was going to be a hit. I had no idea.

"But after all these years, there are times at the end of the show when I see all of these people singing a song, and after all of an hour and a half, you ask them to jump up and down and they still jump up and down. That's kind of overwhelming for me."

The group received a star on the Hollywood Walk of Fame in 2015 for their contribution to the world of entertainment, and were inducted into the Songwriters' Hall Of Fame in 2018.

Too poor for drums

Bell was born and raised in Ohio, and picked up the music bug from his father, a professional boxer who was a close friend of jazz musicians Thelonious Monk and Miles Davis.

Unable to afford drums, he and his brother taught themselves to play on makeshift instruments.

"I used to beat paint cans like bongos, and depending on how much paint was inside, this would determine the tone of the sounds we made," he later recalled.

After the family moved to New Jersey in his teens, Bell's mother bought him a real set of bongos and he began to teach himself bass guitar, borrowing an instrument from the brother of his future bandmate Robert "Spike" Mickens.

'Die-hard jazz musicians'

The first incarnation of Kool & The Gang formed in 1964, but they cycled through several names - including Jazziacs, The New Dimensions, The Soul Town Band, the Jazz Birds and Kool & the Flames before settling on their final moniker in 1969.

Along the way, they combined their love of jazz with the gritty rhythms of street funk, creating a sound that would lead to their success in the 1970s.

"We used to play a lot of percussion in the streets in the 60s, go to the park and start beating on drums and stuff in the street," Bell told Rolling Stone.

"You had a hard time trying to get us to play R&B," he added. "We were die-hard jazz musicians. We're not stooping to that."

Possibly their most enduring hit is Celebration, which was written after Bell picked up a hotel room Bible.

"I was reading the scripture about where God called the angels together, and made an announcement that he was going to create this being," he told Songwriter Universe.

"He gathered the angels together and they said, 'We don't know nothin', but we just celebrate you, God - we celebrate and praise you.'"

"And I thought, I'm going to write a song about that, [with the line] 'Everyone around the world…Come on!'

"That's the intent... it was actually written for mankind."

Report

The group found a new generation of fans in the 80s and 90s as their music was sampled in a raft of pop and hip-hop songs.

Jungle Boogie's horn riff appears in Luniz's I Got 5 On ItSummer Madness formed the basis of Summertime by DJ Jazzy Jeff and The Fresh Prince; and the syncopated rhythms of Jungle Jazz appear on dozens of tracks, from MARRS's Pump Up The Volume to Jade's Don't Walk Away.

When Public Enemy sampled three separate Kool & The Gang songs for Fear of a Black Planet, Bell voiced his approval.

"After Public Enemy, I was all in [with hip-hop]," he told Rolling Stone in 2015. "The music was all new to me. I sat and listened to Fear of a Black Planet and was thrilled. I thought that was amazing.

"You can practically hear [drummer] George [Brown] playing that break beat. You can hear our music in the background. You know it was compound and compact, but you can hear Kool & the Gang music in all that hip-hop."

'Still relevant'

The rise of hip-hop and the departure of Taylor in 1989 effectively ended Kool & The Gang's presence on the charts, but Bell continued to record and tour with the group as a legacy act in the 1990s and 2000s.

At the time of his death, he was working on a solo album called Kool Baby Brotha Band, as well as a series of animations about the band's childhood and career.

In an interview with Billboard last year, he said he felt grateful to have had a career in music.

"And for it to be this long," he added. "For me, I'm most grateful for that, to still be relevant since [we were] 19."

The musician is survived by his wife Tia Sinclair Bell and 10 children; as well as his brother Robert and three other siblings. The family will hold a private funeral service, and have asked that fans donate to the children's charity the Boys and Girls Club of America.

 

 

BBC Two has commissioned Saved and Remade (20x30’, w/t) from Red Sky Productions, presented by Sabrina Grant.

Saved and Remade (w/t) brings together the multiple skills of a team of expert craftspeople to help solve viewers’ conundrums of what to do with treasured but purposeless items. Host Sabrina Grant, herself no slouch in the upcycling department, will be helping contributors choose which of the experts has the vision and ability to convert objects that have meaning but are gathering dust, into items can take pride of place in their lives. The transformation from precious but purposeless will grant these pieces a new lease of life. The experts will respect the sentimental significance of each of the items brought in but will bring about incredible transformations that will be a fitting match for their owners.

 

Saved and Remade announcement

 

Sabrina Grant says, “I’m super excited to front this brand new BBC Two series that creatively re-purposes and brings a new lease of life to our guests’ treasures. I can’t wait to share the magic of our transformations with you.” 

Executive Producer Jane Rogerson adds: “We’re thrilled to be working with Sabrina, and indeed all of our crafts people on this exciting new format for BBC Two.  We cannot wait for everyone to see what the unused but much-loved pianos, cars, books and many other items that we all have in lofts and cupboard will become with the skills and imagination of our team of craftspeople.  Prepare to be surprised and delighted!”

The Executive Producer for Red Sky Productions is Jane Rogerson, with Kim Rossiter as Series Producer. The series was commissioned by Helen Munson for the BBC.

The greenlight for Saved and Remade follows other recent commissions including Autumn at Jimmy’s Farm (Channel 4), Socially Distant with Susan Calman (BBC Scotland) and Jimmy’s Big Bee Rescue (Channel 4)

To apply to take part

Get in touch telling us:
- Your name, age, location and contact number
- Some info about your item; what it is, why it's important to you and why you want to transform it
- Please also send photos of your item
 
Email : This email address is being protected from spambots. You need JavaScript enabled to view it.
Phone: 0141 343 7782
Applicants must be aged 18 or over and be a UK resident.

The Royal Shakespeare Company has announced the extension of its popular pop-up programme of outdoor performances to run throughout September in the Dell Gardens, Stratford-upon-Avon.
 
Running until the end of September and sponsored by Darwin Escapes, RSC Snapshots will take place from Friday to Sunday for 45 minutes at 1pm and 3pm each day.

These free, high-energy, no-frills performances will be different each week, taking inspiration from both well-known Shakespearean texts and the works of some of the most promising new writers of today.

The performances will be delivered by actors from the RSC’s postponed productions of ‘The Winter's Tale’ and ‘The Comedy of Errors’ and will be directed and curated by a different company member each week. Audiences will be asked to make a donation, if they can, to support the Keep Your RSC campaign.

Featuring a mixture of socially-distanced speeches and scenes from Shakespeare’s best-loved plays, plus a selection of exciting new works and contemporary pieces, the performances are the perfect re-introduction to live theatre and are suitable for theatre enthusiasts, newcomers and Stratford day-trippers too.

Performances will be first come, first served, with space for up to eight household groups (maximum 6 people each), plus some standing spaces.

Friday 7 to Sunday 9 September - RSC Deputy Artistic Director, Erica Whyman (who was due to direct the RSC’s postponed production of ‘The Winter’s Tale’ this Autumn) will join forces with Assistant Director Aaron Parsons to curate ‘The Truth and Nothing but the Truth; an epic yet intimate celebration of truth and self-hood combining well-loved extracts from Shakespeare with excerpts from a selection of new works produced by the RSC including Can Dundar’s #wearearrested, Anders Lustgarten’s ‘The Seven Acts of Mercy’ and Alice Birch’s implosive ‘Revolt. She Said. Revolt Again’ among others.

Friday 11 to Sunday 13 September - This will be followed by a celebration of music, poetry, songs and sketches from 11 to 13 September as members of the RSC acting company gather for an open-mic afternoon with a difference.

Friday 18 – Sunday 20 September - Hal Chambers – Assistant Director of the RSC’s postponed production of ‘The Comedy of Errors’ – invites audiences to revel in the royal history of Kings and Queens past.

Friday 25 – Sunday 27 September - RSC actors Kemi Bo-Jacobs and Assad Zaman will curate a celebration of new writing produced under lockdown to wrap up RSC Snapshots.

RSC Artistic Director, Gregory Doran, said: “Despite our theatres being closed for full productions until 2021, our acting company continue to work on events and activity, including our programme of outdoor Shakespeare in Stratford, which has proved incredibly popular with audiences throughout August. Whilst we continue to do everything we can to bring our buildings back to life as soon as possible, we are pleased to announce the continuation of our outdoor performance throughout September.

“This month’s programme will see extracts from Shakespeare’s plays feature alongside a selection of exciting new works by the playwrights of today. I am delighted to see Stratford audiences embracing this unique programme of socially-distanced, outdoor theatre and look forward to a time when we can welcome them back to our buildings to share the experience of live theatre with them.”

The RSC has also announced that visitors can continue to take advantage of a daily takeaway service from the Riverside Cafe throughout September, which is open from 10am to 4pm daily. Customers are asked that they observe social distancing throughout their visit, using the markings on the pavement and payment is by contactless card only.